Image result for bees


Highly allergic to bees.

One thing good about winter and northeastern 



Image result for bees


Snowman or Snow Figure


Another Northeastern coming our way

My  snowman/snow figure I created in the last northeastern

I am tired of shoveling

So can this be the last northeastern with no accumulation?





Winslow Homer - Waiting for Dad


Winslow Homer is a painter of the 19th century.
Who was largely self-taught.
Homer started his career as an illustrator. He subsequently took up oil painting.
He worked extensively in watercolor creating plein air paintings.


Winslow Homer - The Gulf Stream

To My Mother by Robert Louis Stevenson



You too, my mother, read my rhymes
For love of unforgotten times,
And you may chance to hear once more
The little feet along the floor.
Happy Birthday, Mom!

John Singer Sargent

Spanish Dancer (woman) c 1879-82, private collection, oil, 87.7 x 59.5 in

Sargent did a number of quick studies. His use of line rather than form created sketches with dashes, swirls, and squiggles.
He was a master at massing light and dark values.

John Singer Sargeant : Sketch of a Spanish Dancer : 1879    Pencil on Paper : Gardner Museum,  Boston                                                                      Spanish Dancer

Auld Lang Syne by Robert Burns

Old Father Time with his scythe, carrying in the New Year

Should auld acquaintance be forgot,
and never brought to mind?
Should auld acquaintance be forgot,
and auld lang syne*?

For auld lang syne, my jo,
for auld lang syne,
we’ll tak’ a cup o’ kindness yet,
for auld lang syne.

And surely ye’ll be your pint-stoup!
and surely I’ll be mine!
And we’ll tak’ a cup o’ kindness yet,
for auld lang syne.


We twa hae run about the braes,
and pou’d the gowans fine;
But we’ve wander’d mony a weary fit,
sin’ auld lang syne.


We twa hae paidl’d in the burn,
frae morning sun till dine;
But seas between us braid hae roar’d
sin’ auld lang syne.


And there’s a hand, my trusty fiere!
and gie’s a hand o’ thine!
And we’ll tak’ a right gude-willie waught,
for auld lang syne.

Winter Landscape Painting


Landscape paintings of winter is not only white. Just like the darks in a painting, the lights or whites must be created through dynamic color mixing to grab a viewer’s attention.

Take every opportunity to mix colors and emphasize them. That’s especially true in a winter landscape. You see incredible color usage in winter. Shadows on snow are richly colored in blue and gray-violet, and the winter skies that can often seem one-dimensional are subtly prismatic. Pinks and greens and yellows are undertones you can see describing glowing sunrise or muted sunset .


Drawing Hills in Landscapes



With the soft contours of rolling hills, it is more difficult to distinguish the main masses of light and shade which emphasize solidity. It helps to look at the landscape with half closed eyes.

In contrast to the sharp angularity of mountains, most hills have soft, slightly blurred edges, because they are covered with trees and vegetations. If the hills are covered with trees, it is enough merely to suggest the texture of the foliage by using a subtle range of textures.

The overlapping planes of the hills recede works well in the design of a landscape.

The principle when drawing distant landscapes is your best means of creating the illusion of three- dimensional space on a flat piece of paper.

Figure Drawing


Rodin drawing rendered at the Met.


Life drawing, the representation of the human figure, requires both technique and an understanding of human anatomy.

  1. apply expressive drawing techniques in capturing the human figure
  2.  draw the characteristic shapes and proportions of the human skeleton
  3. capture the basics of posture and motion through gesture drawing
  4. capture shapes and proportions of human anatomy and muscle mass
  5.  use contour and blind contour drawing to capture the shape of human subjects
  6. draw the proportions of the human face in frontal, profile, and three-quarter views
  7.   apply the concepts of volume, perspective, and shading
  8. apply tips for composition, including texture, balance, rhythm, variety, unity, and emphasis
  9. apply expressive drawing techniques in capturing the human figure 



Working Edges


Diffused Edges
The contour of forms can become completely lost, leaving little or no definition. Use diffused edges for the following to:
• Indicate foliage in the last plane in your background
• Create ethereal cumulous clouds
• Create realistic waterfalls that appear to be moving
• Indicate crashing waves in seascapes

Soft Edges
The edge is recognizable, but blurry.
• Distant trees and evergreens in backgrounds
• Distant hills
• Things in the peripheral areas of a painting
• Water reflections

Hard Edges
Clearly defined with no sense of being out of focus.
• Rocks
• Buildings
• Rocky mountains

Previous Older Entries

March 2018
« Feb    


Enter your email address to follow this blog and receive notifications of new posts by email.

Join 79 other followers